December 9th, the Baltic Opera in Gdańsk will feature music that symbolically and quite freely materializes certain ideas of Anton Webern, yet expresses them in a decidedly modern way, through electronics and an aesthetic that doesn't shy away from atonal, glitchy sounds, with a dense, often collage-like structure. www.WEB.e.rn/2025 (as is its title) is a modern musical project inspired by the work of Anton Webern – one of the most important composers of the 20th century. The title of the musical event is not just a phonetic play on the composer's name and website address – it proposes an interpretation of Webern as a current phenomenon. Each of us – Max Kohyt and I – have prepared several of our own compositions, from which we will construct the dramaturgy of the entire performance, visually complemented by Klaudia Korczak. The performance begins at 7:00 PM. More information on the event website: https://operabaltycka.pl/wydarzenie/koncert-www-web-e-rn-2025

On Sunday, November 30th, I'll be playing a solo concert in Uppsala as part of an event called Ljudbio Live. I'll be performing my latest, large scale electroacoustic composition, Seconds Before the Storm. The concert will take place at Slottsbiografen (http://www.slottsbio.com/), a fascinating, historic building located on Nedre Slottsgatan. It's one of the oldest surviving cinemas in Sweden, built between 1914 and 1915. Electroacoustic music will be performed in these historic surroundings on Sunday. The performance begins at 6:00 PM. More information in the event description:  link

On Friday, November 28, 2025, I'll be performing at a concert at the Abbots' Palace, the Modern Art Branch of the National Museum in Gdańsk. The event is called Pulsing the Background. An Ambient Concert in the Spirit of the Fin de Siècle accompanies the exhibition Olga Boznańska and… and will feature: Maja Miro – flutes, Soma Pipe, Petar Petkov – guitar, electric guitar, Dariusz Mazurowski – synthesizers, effects, laptop, electronics. The concert begins at 6:00 PM. More information: https://www.mng.gda.pl/2025/11/20/pulsowanie-tla-ambientowy-koncert-w-duchu-fin-de-siecle/

https://www.mng.gda.pl/2025/11/20/pulsowanie-tla-ambientowy-koncert-w-duchu-fin-de-siecle/

On Thursday, November 20th, Bunkier Sztuki in Krakow will host a traditional electroacoustic marathon, part of the Audio Art Festival. The program will also include my composition 3085 Days, its world premiere performance. The marathon begins at 6:00 PM, while its finale, the CIME/PSeME/SME+ concert, will begin a little later and will undoubtedly last... a very long time. More information:  https://www.audio.art.pl/

This week, I'm working at the Electroacoustic Music Studio at the Academy of Music in Kraków, and this visit is made possible thanks to the support my project, "From Studio to Network – Developing Creative Competences in the Age of Technology" received as part of the KPO for Culture program. I became familiar with the studio's unique features, its equipment (truly interesting and, in no small part, already historic), and its software. Years of working in my own electroacoustic studio allowed me to develop my own techniques and working methods, but a more in-depth understanding of the workflows at other centers is an incredibly valuable experience. This time also allowed me to gather a wealth of audio material that will be used in new compositions. I would like to thank Mateusz Bień, a professor at the Academy of Music in Kraków, for inviting me and warmly welcoming to the SME, explaining all the ins and outs of the studio and its specifics – thanks to which I quickly felt at home here.

The project was co-financed by the European Union's NextGenerationEU fund as part of the National Recovery Plan.

#KorzyściDlaCiebie #NextGenerationEU #FunduszeUE #KPOdlaKultury #electroacousticmusic #sounddesign #AIinMusic #musicinnovation #creativeAI #newmusic

Following the signing of an agreement with the National Institute of Music and Dance, as part of the KPO for Culture program, I would like to share a few details about my current project titled From Studio to Network – Developing Creative Competences in the Age of Technology. The goal of this project is to enhance my creative and technological skills, enabling me to navigate the rapidly changing music landscape and stay current with the tools that are essential for electroacoustic composition. Within the project, I am implementing a range of new digital solutions – from immersive sound technologies to the creative use of artificial intelligence in sound synthesis and processing.

The KPO for Culture program gives me an opportunity to stay at the forefront of key technological innovations. As part of the project, I plan four study visits to specialized centers: the Department of Composition at HAMU in Prague (already completed), the Chopin University Electronic Music Studio in Warsaw, the Department of New Media at the Academy of Music in Wrocław, and the Electroacoustic Music Studio at the Academy of Music in Kraków.

In parallel, I will hold consultations with Polish and international experts in the field of contemporary wind performance, as one of the project’s outcomes will be the composition of two new pieces written for specific performers. I am also completing two online courses – one of them, a comprehensive course on the use of AI in creative work, is already finished – and another on digital music distribution.

Finally, I will publish an open-access online article on the use of artificial intelligence in sound work. The program also enables me to upgrade my studio and concert setup with new tools that will be used in future compositions.

Thanks to the KPO for Culture program, I can further develop my creative work through modern technologies and immersive sound, combining art with innovation.

The project was co-financed by the European Union's NextGenerationEU fund as part of the National Recovery Plan.

#KorzyściDlaCiebie #NextGenerationEU #FunduszeUE #KPOdlaKultury #electroacousticmusic #sounddesign #AIinMusic #musicinnovation #creativeAI #newmusic

On November 8th, I performed in a trio with Blanka Lea Dembosz and Natalia Kunikowska as part of the Voice and Speech Festival / Sea of ​​Sounds. Our performance was titled Gdańsk Concert – Polyphony from the Sounds of a City by the Sea, for voices, tape, and live electronics. The trio appeared on stage: Blanka Lea Dembosz – voice, Natalia Kunikowska – voice, Dariusz Mazurowski – synthesizers, samples, effects, laptop. Venue: Scena Supernova, ul. Zyblikiewicza 12/4, Kraków.

On November 5th, a concert took place at the Církev Bratrska venue as part of the Echofluxx 2025 festival. The program also included the piece VIVA L'autunno, again with a brilliant video by Remigiusz Wojaczek. More information here: https://echofluxx.org/ECHOFLUXX25/index.html